![]() It's about cherishing every moment you have with the one you love because one day they'll be gone. Oh love as long as you can is the primary inspiration for Liebestraum No. the delight component of the sublime) conveyed in the both poem which Liebestraum No. Though not central to the piece, these poems are essential to understanding the depth of love (i.e. The speaker equates love with death in a transcendent sense when being with the beloved causes the speaker to metaphorically die and glimpse heaven. " Blessed death" is similarly short and relates closely in theme. It expresses the extent of the speaker's love through the level of sacrifice he's willing to endure-he's a “martyr,” forgoing life and earthly pleasures to be with his beloved. " Exalted love" is a short poem that portrays being in the arms of the speaker's beloved as the highest earthly attainment, giving the speaker access to heaven and divinity. ![]() 3 is based on the last poem, but it seems to incorporate themes from all three. Liszt was inspired by a series of German love poems which translate to the following: "Exalted love" and "Blessed death" by Ludwig Uhland and "Oh love as long as you can" by Ferdinand Freiligrath. In a way, this gives us a window into the feeling of the sublime. ![]() For instance, the song starts softly, with the pianist pressing down lightly on the keys, but as the song progresses, it becomes dreamlike with higher and more frequent notes that ascend and descend quickly.Īs a listener, the music draws you in when it gets louder and louder, more insistent, almost imploring you to feel the same emotions the composer and pianist felt. And his music follows this same jumbled pattern, alternating between soft, light notes and loud, aggressive ones: there's a constant tension between ease and strain, which is achieved through shifts in speed, pressure, and volume. We'll shortly see that the content of Listz's piece seems to be inspired by the sublime-particularly by the feeling of immense love mixed with pain and loss. While the sublime is created this way, the feeling it induces is almost indescribable or beyond comprehension.įor a brief interlude…check out these articles for more insights + subscribe to my newsletter above: when you're able to reflect on them), he says they excite delight. It's only when pain and death are nearby are they terrifying, but when they're at a distance (i.e. Philosopher Edmund Burke noted that terror (as opposed to pleasure) is what produces the "strongest emotion which the mind is capable of feeling," and thus brings us to the bounds of our feelings. Interestingly, the sublime isn't defined by positive experiences but is a result of mixing terror and delight. a "spontaneous overflow of powerful feelings") to extraordinary sights or encounters. The sublime is an emotional peak it's an extreme or overwhelming emotional response (i.e. One of the goals of the Romantics was to experience and reproduce the sublime. 3 is a quintessentially Romantic piece since it's extremely nostalgic, emotive, and seems to exhibit that which defines Romanticism-it showcases a spontaneous overflow of feelings when the song ascends into a fury around halfway through, and then slows down, gets softer, and adopts a dreamlike tone-mimicking an outburst followed by reflection. ![]() It idealized nature (which is contrastingly disordered and unpredictable), glorified the past, and focused on expressing emotion and individualism.Ĭrucially, Romanticism involves a "spontaneous overflow of powerful feelings" (William Wordsworth) followed by a period of reflection after calming down. Romanticism shifted away from the order and rationality that were propelled during the industrial revolution and the enlightenment. ![]() 3 was published during the Romanticism movement, which originated in Europe during the late 1700s and marked a period of change in thinking about art, literature, music, and philosophy. It's meant to be played briskly, with emotion, and is split into three sections. The piece is a nocturne, which means that it's inspired by or reminiscent of night. It translates to "Dreams of Love" and is one of three pieces that were intended to be lieder (music that's set to poetry). 3 is a piano piece composed by the Hungarian pianist Franz Liszt in 1850. ![]()
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